Lawani Sunday, Vendor, 2016. Acrylic on Canvas, 36 x 48 in.

Lunch Ticket Published

Lawani Sunday, Vendor, 2016. Acrylic on Canvas, 36 x 48 in.

Lawani Sunday, Vendor, 2016. Acrylic on Canvas, 36 x 48 in.

We are thrilled to announce Lunch Ticket’s new Winter/Spring 2017 issue!

This issue contains 82 new works of poetry, fiction, creative nonfiction, flash, young adult, works in translation, visual art, and interviews. We are immensely proud of the diverse body of writers and artists who shared their work with us and proud of our all-volunteer staff who pulled long hours to bring this issue into the world. At this time, we find ourselves contemplating our identities as writers, artists, and editors with a new solemnity, embracing the idea that literature and art can create space for empathy and understanding; build bridges and cross divides; give a voice to hope within varied narratives. At Lunch Ticket, it has always been our mission to promote social justice and to support emerging writers and under-represented voices. At this time, we find ourselves rising to this mission with new energy and purpose.

Take a look at some of the work we have had the pleasure to publish in this issue:In this issue, we say goodbye to our Editor-in-chief of the last three issues of Lunch Ticket, Arielle Silver. In her Word from the Editor, Arielle writes about the recent election and how it relates to the work we do at Lunch Ticket. She urges us to hold a magnifying glass to the wrinkles we see in the world in an effort to make things more whole. Lunch Ticket’s social justice mission, which mirrors Antioch University of Los Angeles MFA program’ mission as well, remains at the center of everything we do. Arielle writes, “If anything, the 82 pieces, from interviews to art to new and translated work in fiction, poetry, and nonfiction in this Winter/Spring 2017 issue, point to the value and necessity of open discourse, of reading the white space between words along with the words themselves.”

As Susan Southard says in her interview, “I don’t speak out about issues that are important to me; I tell the stories that I hope will impact others to think more deeply, expansively, and empathetically. This is what I love to do. And, as a result of the opportunity to be published here and in other countries, I’m grateful that people in the United States and different parts of the world are now reading the survivors’ personal experiences and understanding more fully the enduring impact of nuclear war.”

3 Haynes Habitiat artwork

Grace Lynne, Habitat, 2015

Words have power that reach far beyond ourselves and around the world. They stop wars. They bring people together. They give power and visibility to the invisible. In this issue, we believe you will see something new, something unexpected, and something powerful. Thank you for sharing it with us.

Take good care,
The Editors at Lunch Ticket

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Karen Hamilton

Karen Hamilton

Karen Hamilton ’17 (Antioch Los Angeles, MA) is Antioch's Director of Marketing for Content and Communications. She has used her storytelling and copywriting skills for more than twenty years, crafting articles and creating publications. She believes that communication is a powerful driver for social change.
Antioch University

Since our founding 1852, Antioch University has remained on the forefront of social justice, inclusion, and equality – regardless of ethnicity, gender, creed, orientation, focus of study, or ability.

Antiochians actively reflect these shared values to inspire positive change in the world. Common Thread is where we document the stories that showcase our communities actions, so the change we work for can be shared widely.  

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